English
Armand Paulais: It is important to be able to look at the world with wonder. Cinema is a universe that opens onto travel, imagination, and poetry
Lana Bastašić: I think everyone is a storyteller. Some are just more careful with the words they use and the audience they let in
Chris Jones: We’re surrounded by reminders of how ridiculously awesome we are. Sometimes we just forget to remember that
Ivana Mladenović: I’ve freed myself from the need to “explain” the world—I now simply observe and record it
Ana Goldberg: Get to know what kind of person you are, what brings you joy, what saddens you, what makes your heart expand and beat faster
Fernando Silva: Creativity needs freedom and stimulation, and that only happens when we respect life beyond work and stop placing excessive pressure on ourselves
Pascal Faure: The theme of intellectual property in the artificial intelligence era is a priority today
Nick Docherty: There's a myth that says, particularly in the age of AI, that anybody and anything can be creative. But not everybody has a taste
Pum Lefebure: An idea is never an idea unless you execute it yourself. That's creativity. It's the idea that gets executed
Rimantas Stanevičius: Romanian advertising feels a bit louder, warmer and maybe a bit more theatrical than Lithuanian
Susan Credle: Brands have to get back to being disciplined and standing for something that's authentic
Antonio Pisani: The flood of images isn’t the issue — emptiness is. Photography should create meaning, not add to the noise
Jörg Riommi & Ruxandra Papuc: We need to avoid an “anything works” and a “whatever” ethics. Quality is still always crucial and makes the difference
Deidré Matthee: My experience as a migrant often feels like a condition of continuous and deferred arrival: I have arrived, but have I arrived? And where now, and where next?
Grift: People are constantly tempted, as they always have been, and it seems no easier now to find a balanced path
Toomas Järvet: With fake imagery and AI spreading more and more, real stories about real people in the real world become more important than ever
Antal Zilahi: I spent several years learning mirror-making. When I finally managed to produce a flawless mirror, I realized I found it boring — the imperfect pieces were far more expressive and interesting
Dean C.K. Cox: It’s okay to be a journalist with empathy. And that documenting truth is not just a job — it’s a human responsibility
Tobi Ibitoye: Music is as practical as science, while more spiritual than religion. At least this is how I’m experiencing it
Dunja Delić: Marketing will become more predictive, more embedded, and increasingly invisible. You won’t “see” the marketing, but you’ll feel its presence in every touchpoint
Gabi Drzewiecka: I think the predictions have been haunting all of us for years and yet radio and TV are in a pretty good shape
Sigal Abudy: The AI revolution that entered our lives requires us to develop additional skills: beyond being creatives – we must become navigators
Tim Smith: I’ve documented children becoming adults, families forming, graduations, weddings, funerals, even shifts in style and technology within the colonies. That’s the gift of time
Mircea Sorin Albuțiu: Eight days of filming in Ukraine in 2022 took me through every possible emotional state; I can hardly describe it
MINIO Studio Named Wendy’s Strategic Creative Agency in Romania: Crafting a Global Brand while Embracing Local Culture in Romania
Sumit Bothra: As long as we protect original human creativity, and make a distinction between what is human-made vs machine-made, I see no reason to be fearful
Sam Lee: People don’t have much time. So you have to get in front of them where they are, instead of hoping that they come to you
Cristian Movilă: UNFINISHED isn’t just about what we want to learn. It’s about who we want to become, and the fact that we’ll never be „done.” And that’s a good thing
Emilie Blichfeldt: There is only one Cinderella. The rest of us, struggling to fit the shoe, are stepsisters






























